The Plankhouse Revisited

By on Apr 23, 2013 in Poetry

Kitchen-sitting room at the plankhouse

photo of the Plankhouse by Wade Allen

                                  I. 

The awesome mist of some unknown flower
           Sprindges my voice into my father’s words —
           This plantation’s not what we used to work,
When Pap George, his father, David, held our
Future in slavery, though we knew that its hour
            Had come:  I think of the women —
            July — Obedience — skimming
Rocks on Middle Creek; still it hurts
            Me now to think of all the things
            Human beings have done that brings
            Heartbreak to families, with laws,
I mean, that must be overthrown and all —

  

                                    II.

 I know, yes; let me tell you, can you hear?
           What Nin and I have done to hold the past
           Awhile in our hands, arms, and eyes at last:
We revised the plankhouse you had rolled back
In the hedge, the mules straining muscles with no slack
           Of power behind family;
           You hired men to build a lovely
Home, ranch-type, after Mama flashed
           Her eyes at you; you knew they said,
           “You spend more money, Paul, on Red,
           And the rest of those dogs, than you
Do on us; we really need a house, too.” 

 

                                    III.

All that I think about — and the graveyards —
            Their flurry is real as my back-muscles
            And my longing to tell about scuffles
We boys would start to see who was stronger;
We’d wrestle — lift sacks of fertilizer longer
            Than we should; turn the Mason jar
            To our lips, let the brandy wear
Our natural prime — muscles —
            We knew we were born to work hard,
            And play hard, too — to twelve o’clock,
            Saturdays, then run to baseball.
I could play all evening, then court my doll.

 

                                    IV.

Maytle Samantha Johnson, your “Dumpling,”
           You called her; she didn’t mind — her calling?
           Help raise us children; work through our squalling
She quieted with a lullaby, falling
Into a soothing trance-like spell, never failing
           To stop our crying:  her picture
           The mantel holds, yours, too, cigar
Between your teeth, like you’re scalding
           A hog in the vat, around men,
           Swearing, drinking liquor for strength,
           The liveliness of God’s world — told —
You yearn to hunt the fox in autumn’s gold.

  

                                    V.

Sometimes I’m out of tune, bad:  I ought to
            Believe in plumbing — planting pretty shrubs;
            But I wanted the old well and its curb
In our basement, case we needed water.
We never did:  fancy bathroom? — I’ll use the woods,
            I said:  that room?  Best in the house,
            Though doing business with a mouse,
Behind the barn, among the scrubs
            Of sassafras — why, that’s heaven,
            To hunker down — get earth — level.
            I’m not sure I got there, the old
Plantation way died, but never did fold —

 

                                    VI. 

I know — go on away — like hymns of night —
           Just know that your accounts are on that wire
           You strung them on:   your desk?  That wire and nail.
And Nin and I sit on the porch, all right.
She thinks Fifties on Paul’s Hill must have been a sight —
           The pace:  slow for going fishing,
           And running the dogs, too, wishing
We could see the fox, red or gray,
           Didn’t matter — we heard music,
           Which I hear now, an acoustic
           Frailing you played on your banjo.
Maybe this is a prayer:  I hope so. 

 

                                    VII.

For smoker’s everywhere I do not cease
           To name Kents, Salems, Viceroys I have smoked;
           The frilly hints of mist or mythic toasts
That make studs out of boys; models:  Clarice
Becomes Virginia Slim; Stud struts Marlboro streets,
           With muscles big as billboard-poles,
           And wide as sunset ever gold.
I smoked Kools, left my lungs alone.
            Nicotine fingers turned yellow,
            Oh, my Maytle, tasting that sour,
            Sideways odor, my mouth, sallow,
As if a chicken roosted there — pray — tell. 

 

 

About

Shelby Stephenson's Family Matters: Homage to July, the Slave Girl won the 2008 Bellday Poetry Prize (Allen Grossman, judge) and the 2009 Oscar Arnold Young Poetry Award from the Poetry Council of North Carolina (Jared Carter, Judge). Shelby Stephenson was editor of Pembroke Magazine from 1979 to 2010, when he retired as emeritus professor from UNC-Pembroke. His most recent publication is a chapbook of poems called Play My Music Anyhow (Finishing Line Press: 2013).