The summer we drove to Buggs Island Lake,
my sister and I sat in the back seat, catching
whiffs
of honeysuckle and watermelon
while our father played tour guide,
enlightening
us on the postcard-perfect
displays of the lives we rolled past:
tobacco
fields dotted with bent brown
backs and red kerchiefs, curing barns
where
smoke curled from the chimneys
to a flat July sky; crooked shacks hovering
along
the roadside, their tin roofs glaring
in the sun, some with weathered porches
and
empty rockers, and small yards beaten
smooth as dough where scrawny dogs
slept
in the heat; then, the sorghum,
broom-stems as high as the corn
and
clustered at the top with dark flowers,
Red Top African, he said, or Milo Maize,
their
stems thick with sap, ready for pressing.
He stopped the car at a road-side stand
and
three children wearing dull t-shirts
stretched across their chests and britches
the
color of hot sand dashed into the picture.
Our father rose from the car, his Panama hat
and
sunglasses poised like a movie star's,
took long, even strides toward an old woman
sitting
on a crate, and spread open his billfold.
He returned with two quart jars, sticky
and
clear-bubbly brown, handed one
to each of us. As he pulled away,
we
turned and caught their dark eyes
in ours, held for a moment their questioning,
and
we knew, even before tasting it,
that this sweet does not satisfy.