Some people speak of hearing alarm bells ringing in their head. With
me it was a klaxon. My brain told me again to let someone else sort
this case out: just go home, apologize to Laura for drawing a blank,
and get on with the business of keeping out of things. But Gamaliel had resumed, and my curiosity was becoming aroused. "If you're wondering why you've never met a cherub either, I think
I have an answer for that, too. At the lower end of the first choir
are the thrones. God's chariot. Technically, their job description is
the dispensation of His justice. Bumped into any thrones, lately?" I shook my head. "I'll tell you why. Because all the jobs they're supposed to do
as well as all the jobs the seraphim and cherubim are supposed
to do are being undertaken by angels and..." A beat. "... archangels." I was starting to see where this was going. "Your starter for ten, gumshoe. What do seraphim, cherubim and
thrones have in common?" "You're the teacher. You tell me." "They owe their very existence to God's presence. They can't operate
independently of Him." "But the thrones had a hand in the Ark of the Covenant,"
I protested. "They were present at the temple of Solomon." "Expressly at the wish of God. They couldn't pull the kind of
stunts we have, coming and going at a whim, holding off-the-record conversations
in upper rooms. They're beholden to the Almighty. Whatever state He
might be in." I didn't like the way he'd phrased that. "The second choir comprises dominations, virtues and powers. Respectively,
they oversee existence, maintain the natural world and guard the border
of Heaven and earth. I find it helps to think of the first choir as
the board of directors and the second as senior management." "So what are the third choir?" I asked. "Shop stewards?" "Sort of. As you know, angels are at the bottom of the third choir.
Celestially speaking, we're the lowest of the low." "Don't hold back," I said. "Just say what you think." "The principalities are middle management, liaising between the
chaps in the oak-paneled offices and the union men." "Archangels, right?" "Give the man a cigar." "And angels?" He grunted. "We're the poor bastards on the assembly line." "Okay," I said. "Now we've done the metaphor thing,
let's get down to the nitty-gritty. How does all of this fit together?" He'd been pacing the room during the dialogue. Now he sat down opposite
me, updrafts of dust rising from the moth-eaten chair. "Imagine," he said slowly, "the union men taking over the factory."
Well, up until I'd broken in, they had been. I went up to the viewing area, squatted by one of the glass-covered
openings and peered down into the now dark expanse of the Records Office.
It was the midnight side of working hours (yes, there's nine-to-five
in Heaven sorry!) and all law-abiding angels were tucked up in
their cells. Trouble is, not all angels were law-abiding. Not according to Gamaliel,
anyway. We'd spoken further before I took my leave of him. I hadn't
wanted to believe what he told me, nor was I over keen on communicating
it to Laura. But it wasn't just about Gamaliel and Samangelaf and Laura
any more. And it sure as hell wasn't just about me. It was about the truth. Gamaliel had spoken of things being kept on file even though they'd
been axed from authorized texts. I hoped he was right. I opened the holdall I was carrying and took out the items I'd obtained
through less than kosher channels before leaving Nottingham. One of
the tools had a sucker pad, around which a small but extremely sharp
blade could be passed through 360°. I adjusted the diameter, whacked
it on the glass and had access within a few seconds. Next up, a bit of abseiling gear. A set of lock picks tucked safely
in my pocket, a pencil-beam torch clamped between my teeth, I lowered
myself into the Records Office. An open-plan office equal in size to the Chamber of Arrivals, there
were annexes to left and right. File rooms, I guessed. I wasn't wrong. I took the first annex to the left and worked my way through, using
the picks not just to open each filing cabinet, but to lock them again,
until I came across what I was looking for. It became apparent, as I
progressed, that there was a dual system of filing alphabetic
and numerical, with shitloads of cross-referencing but none of
the cabinets were labeled, so I was unable to second guess how far along
the files I needed were. It took me an hour or more to get to the L's. The file in question
was cross-referenced to hundreds of others. Backtracking, I dug out
those that seemed the most relevant, then continued working my way forward,
accessing other pertinent files. Each time, I made the briefest of notes
just the essentials then replaced exactly as found, and
teased the locking mechanism back in place. Finally, a good two hours having elapsed (and the abseiling rope still
dangling guiltily from a glassless opening), I came to the S's. I pulled
Samangelaf's file. Then I clambered up the rope, packed my felonious paraphernalia in the holdall, made like a hockey player and got the puck out of there.
Walking out of the service lift, I was halfway to the door when he
said, "I wouldn't go back to your office if I were you." "AIBs?" I said. "You've changed your tune, haven't you?" "Yeah, well," I said. "Just give me the lowdown, will
you?" "Half a dozen of them," he said. "Mean mothers, like
before. I told them you were out and asked if I could take a message.
They said they'd wait for you and to mind my own business." I stowed the holdall, took a seat and made myself comfortable. "You
got any bourbon?" "Shit, no. I cadge yours." They were still there come morning, imposing silhouettes behind the
frosted glass of my office window. I couldn't risk using the switchboard
and someone in Heaven recognizing my voice, so I got the Gatekeeper
to ring the Records Office and have them page Laura in Archives. When
she came on, I snatched the receiver off him. "Have they cleared out Samangelaf's cell yet?" "No. I haven't finished sorting out his effects." "Good," I said. "Meet me there in half an hour."
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