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 TroubadourDonn Fenn
Review by Mylan Vaugeois Troubadour is billed as a "psychological novel," since 
          the protagonist is a psychologist and matters of the mind weigh heavily 
          in the novel. Disaffected with his life on Earth, he agrees to visit 
          the planet Troubadour and learn about its people and help the previous 
          visitor from Earth. As a consequence, our hero spends a lot of time 
          discussing emotions. Even so, the novel offers a poor example of psychological 
          behavior. Dr. Peter Icarus is a psychotherapist suffering from untreated 
          depression. We are meant to empathize with him, to learn from his actions 
          and his emotional journey throughout the novel. The problem is that 
          his characterization is so uneven and unlikeable from the start that 
          there is little interest to continue. Peter prides himself on being an excellent psychotherapist, yet admits 
          in the very next chapter that he willingly will go beyond proper psychotherapeutic 
          boundaries. This blurring of boundaries actually makes him lose his 
          objectivity and focus, hindering treatment. In addition, Peter's speech 
          weakens his characterization. Within the same sentence, he will use 
          fairly sophisticated words and then slang terms. Most people that work 
          in the health field would not casually call psychiatrists "shrinks" 
          or blame them as the root cause of their personal problems interacting 
          with others. Peter also behaves erratically in response to situations. 
          He berates his children, curses at the drop of a pin and is generally 
          disagreeable even with close friends. All of this occurs right after 
          the author took great pains to paint Peter as a stable and sympathetic 
          character. This is a sharp enough dichotomy that it is difficult to 
          sympathize with Peter. He comes across as unstable, erratic and in desperate 
          need of therapy himself. All of this occurs in the first seventy to eighty pages of the novel, 
          and the book is over six hundred pages. There is little will to continue 
          past that point. If the main character is treated in such a slipshod 
          manner, what will the next six hundred pages be like? As it happens, 
          they are exactly the same. Characters are casually psychoanalyzed; every 
          action or statement is charged with meaning and motive for the reader, 
          rather than letting the reader discover it gradually. The language and 
          tone I overwrought and self-important. The novel is less about telling 
          the story of the psychological changes and more about analyzing every 
          move. Peter supposedly learns from his journey, but immediately falls 
          into the same pattern he was in at the start of the novel. Also, he 
          didn't appear any different in his interactions while on Troubadour. 
          His sudden change in the final chapters feels forced, as though there 
          was a shortcut to the emotional growth. It is very important to acknowledge emotion, and the painful ones do 
          take work to deal with. Peter rings false throughout the novel, and 
          it is too difficult to care about him. In a psychological novel, it 
          is important that the reader care about the characters, flawed as they 
          are. This book felt as though it was less of Peter's journey to understanding 
          himself and more of the author's journey to learning how to write a 
          novel.
 Synergy Books, 2005: ISBN 0-9755922-6-2
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